Wednesday, May 7, 2008

Toe tapping or busting a move… SOC200 2nd Paper

Regardless the genre, music stirs people emotionally or moves them physically (and in some cases, does both). The soon due (May 16th) SOC200 writing project for my Social Life classes involves examining a song that relates to a social issue or social problem. If you recall, the first project essentially was a “compare and contrast” between personal and social issues and problems involving terms like “self-efficacy” and “locus of control.” Now, we step beyond the basics and try our hand at an everyday practical application: hearing social issues and problems in music.

The choice of song is yours: select one that describes/illustrates a social issue or problem (or one of its causes or consequences). The style or type of music is also your choice, with the only restriction being that it must have lyrics; environmental sounds, clapping thunder, or a tree frog symphony at midnite are not acceptable for this project. If you want to flex your foreign language skills, you may select a non-Anglophone song; just be sure to include original and English translation of the lyrics. Regardless your musical bent, now you have an opportunity to explore music you never ventured into... and get credit for it!

Song information necessary includes artist/band, writer, title, album, year of production, and your reason for selecting this song. I urge you NOT to select a favorite love song or relationship song because students who do so get caught up in the personal level of issues and problems and are often are unable to get beyond the psychology of it (after all, this is a sociology course).

Name ONE social issue or problem in the song. You already know what makes an issue or problem social (rather than merely personal). Keep that distinction in mind as you are thinking about and writing this paper. Some issues and problems “could” be either personal or social, but your duty is to notch it up to the social level. To do that effectively, think about the ripple effect that situation creates for the larger society if enough people experience or are part of the problem or issue (as either victims or perpetrators).

Discography or biographical information about the song writer, performer, band, or lead singer can be found on line by Google-ing the person’s name or song title. Unless it is an unknown garage band, there will likely be official and unofficial sites popping up from your search engine. This part of your paper requires at least 250 words AND must be paraphrased (NO DIRECT QUOTATIONS -- but in-text citations are still required).

Lyrics can usually be found by running an internet search of the song title. The same title might be two different songs; be sure to get the one you really want. If you copy and paste it, be sure to convert it to the font of the rest of your paper. While you are there, be sure to get the album cover graphic (required for your cover page).

So far, so good… Now we get theoretical. Based on the tone and perspective of the song, determine which of the 4 sociological theories best explains the song: functionalism, social-conflict, SI, or feminist. State why you think it fits.

Conclude your paper with lessons learned by completing this project.

The assignment sheet and grading rubric (posted in the Course Studio) provide the details of this project. I have discussed most of them in this blog, but other requirements are use of MLA formatting, in-text citations, and cover page elements.

Pegah and I are available to look over your draft to let you know how on-target you are, but you must bring us a hardcopy to class or during office hours prior to the due day (no e-mail submissions please). Also, if you plan to make use of the Writing Center, make an appointment soon. This is their busy time of the quarter and un-arranged walk-ins will likely be unserviced immediately. Plan ahead. Remember Parkinson’s Law!

Please respond or acknowledge the usefulness of this blog in understanding or completing your project. Thank you for your time.

Friday, May 2, 2008

The Truncated Writing Process, or... Do as I say and not as I do

Last quarter I wrote an eight-page paper in 3+ hours. And the thing is, the next day I actually turned said paper into my professor. Why would I, a perennial student of writing and a tutor who espouses the many virtues of using a well-paced writing process, write in such a seemingly reckless manner?


Four reasons:
1) I'm insane
2) I'm insane
3) I was able to employ a truncated version of the writing process that helped me endlessly in my pursuit to churn out a strong paper in a short period of time.
4) I'm insane

So, the bottom line is, do not do what I did.

But I imagine we have all been there...for whatever reason, many times of our own doing, and other times not, we find ourselves in a crunch and have to produce something pronto. And while we all talk about the importance of the writing process, few classes other than English 101 or 102 actually allot students adequate time to process themselves into strong writing. Most classes set a due date for a paper and that's that...no second, third, or eighth chances.

Or perhaps it is not even a lengthy paper that is hanging over our heads but rather something as simple (and as potentially daunting) as an essay exam, where we have to produce cogent, thoughtful, well-written responses within a clear time limit.  Whatever the pressure cooker is and however high the temperature is set, it is never a good idea to throw the writing process out the window. And if one is able to adequately truncate said process, then it need not be defenestrated.

The hallmarks of a strong writing process involve brainstorming for the strongest idea, free- writing or outlining to get a general feel for what the paper needs to/will include, drafting to form a rough sketch of the paper, then getting feedback from a friend, teacher, tutor, or even yourself once you've removed yourself from the writing for a while, and then revising. And then revising again. It has the potential to go on for a while...

But again, it is not always realistic that a typical college student could go through that long a process. So what is the solution? How does one (if necessary) attempt to pack process into such a shortened time span?

Well, the simplest form of the answer is, "Do what you can." The longer answer goes like this:
  • Let's assume you have your topic already selected. If it truly is crunch time, you will want to be writing, not thinking about what you should write about. Some teachers even shape the paper topics themselves. And in the case of an essay exam, the question is obviously right in from you.
  • Get to the point...fast. I have yet to post on the virtues of the thesis statement, but let me talk about it for just a sec. The thesis statement--that wonderful sentence that you can usually find towards the end of the introductory paragraph of most strong essays--has the potential to be your savior, even in a bind. Clearly stating what major points your paper will cover and then allowing those points to keep you on track as you write will guide you through the remainder of your drafting. And the wonderful thing is, it will also guide your reader, and papers that flow are papers that are easy to love.
  • Leave yourself time to stop and think...even a few minutes. One you've finished the quickest, roughest draft of your life, hopefully you can step away even for a little while, just to separate yourself from the writing you have just emerged from. This rest will give you time to reboot ever-so-slightly before jumping back into the abyss and refining what you've just written.
  • Revision is still important, especially if you are short-shrifting the rest of your process. If you are able to read through your work a few times, you will most likely pin-point some areas you want to expand, delete, reword, or rethink. You obviously will not be able to write three more full drafts, but you might have time to read through the paper three more times and make a few changes that will make your work all the stronger.
I like to think I know a lot about writing, but I am not infallible. I wrote a paper in just over 3 hours. It was not a good idea for me, and it's not a good for you, either. But instead of hours, maybe you are trying to write a finished paper in 3 days. A truncated writing process could help you out immensely. If you get in a bind, are facing an in-class essay assignment, or are taking an essay exam, there is way to avoid sacrificing your entire writing process. It is not an ideal situation to find yourself in, to be sure. It can, however, help you create the best work you can under the circumstances.

Interesting post-script to my little anecdote: Since my prof was obviously not as fast a grader as I was a writer, I received my paper back about a month after I turned it in. Lo and behold, I was bestowed an A-. Go figure...my truncated writing process paid off. ***

*** = Results may vary. This example is not necessarily indicative of typical 3-hour essay outcomes. 

Sunday, April 27, 2008

When time doesn’t fly

On my first day here at Wright State, I remember thinking that I would NEVER graduate. Not because I’m unmotivated, but just because four more years seemed like such a horribly long time to spend in classrooms.

Now, I have about five or six weeks left until those four years come to an end. Quite honestly, it scares me. In high school, the next four years were really the only part of my future I ever worried about, but they went by SO fast. Until now.

Usually, the spring is a time when every week is filled with countless activities, and this spring is no exception. But this time, busyness isn’t helping the time go by any faster. Instead, the clock seems frozen. This quarter just will not end. Each assignment looms over my head and taunts me. And when I actually sit down to do that dreaded studying or homework, I feel like I’m sitting at the computer or staring at the same book for days. Minutes seem like hours. It’s excruciating.

Especially when it comes to writing. I’m an English major and a writing tutor. I should enjoy this stuff, but recently, it’s just been one more thing on the to-do list. The only good thing is that I think I can finally identify with the students who come into the Writing Center complaining of their hatred for anything to do with writing. For the longest time, I just couldn’t see how it could be that bad, but I think I’m starting to get a glimpse of their perspective.

Luckily, having spent the last three years coming up with suggestions for others about how to make writing less painful, I’ve had at least a bit of success by taking my own advice. What works for me?

1. Doing the research first. Researching and writing are two very different things. In academic writing, the point is to add your own, fresh ideas to already existing research. How can you write about your new ideas if you don’t even know what the research already says? And worse, researching as you write can make it awfully tempting to plagiarize. We’ve all heard about plagiarism a hundred times, and we all know the consequences. Avoid the headache and know your topic before you even open Word.

2. Planning it out. The worst, most agonizing way to write is to sit down and do it all at once. If you absolutely must wait until the last minute to write your essay, at least spend a significant amount of time beforehand THINKING about what you’re going to write. Just having ideas can make the process run much more smoothly.

3. Taking breaks. Don’t force yourself to sit in front of a computer screen for hours on end. Your writing will start to sound terrible, and you’ll no doubt end up with carpal tunnel.

4. Getting myself to care. When I can make myself care about what I’m writing, the process is usually a lot less painful. If your topic is really that bad, perhaps you ought to choose a better one. And if you can’t choose another topic, at least try to find something endearing about your topic and run with it.

5. Giving myself rewards. A lot of times, I’ll think to myself, “Just finish this page, and then you can eat that candy bar.” Do whatever works for you.

So now, I’ll click post, I’ll stand up and stretch, and then I’ll go eat my Milky Way.

Tuesday, April 22, 2008

I Am Doing This Instead Of Things I Should Be Doing

So. It's one o'clock going on two in the morning and I've put off two different writing assignments. Massive, 8-12 page stories that require thought and attention and love and care. But no. I'm watching Falco music videos and getting ready to play video games with my friend from Texas. I'm a procrastinator. None of this amateur-crastination stuff for me. I've considered majoring in the subject, and it's hurt me in a number of ways over the years.


An anecdote: I almost failed out of the sixth-grade. An elaboration: Every time my Social Studies class would assign a project, I would usually (read: always) put the project off until the day after it was due. There would be a lot of "I'm just putting the last few details on it, Mrs. Social Studies Teacher" going on when asked where my results were. It got to the point where my best friend (the one who's going to play games with me via the internet in a minute) wouldn't be my partner when project time came around. It was bad.


Luckily, I got over it. Projects still came around, but I realized that I wouldn't win any friends nor keep up my normally laudable grades if I kept putting off projects. When assigned a group, I became the jovial, awesome guy who came up with great ideas and sweet talked others into doing the majority of the work. Alone, I got used to turning in sub-par projects. Projects, mind you. Not papers. Three dimensional, physical objects used to show off one idea or another. Papers were something I put off too, and I'm going to parlay the one into the other in a reasonable way in the following papers.


Mainly, I learned that no matter how awesome and spectacular you may be ( and I am totally and completely awesome and spectacular), putting assignments off is a horrible, horrible, instantly rewarding but ultimately damning idea. If you have something that needs done, for the love of all that is good and holy in this world, do it. If you think that you can do it tomorrow, you can't. It will not work. Because tomorrow you will think you can put it off till the next day. Tomorrow, I will probably study for a Geology test and play Guitar Hero. The day after that I will work on stuff for my other job and maybe write a few creative words. The day after that will be...Friday? Thursday? Regardless, I will not be working on my writing. Then the weekend will come and I will sleep and do laundry and do just about everything except write. Then Sunday night will roll around and I will type like the devil. I will type like there is no tomorrow because, for all intents and purposes, there IS no tomorrow. And my work will be really, really bad. I will know that I can do better, and it will be even worse because I claim to be a creative writer. Which means I plan on writing, creatively, for a living at one point in my life. And I cannot bring myself to write creatively. Instead I'm writing this blog entry about procrastinating.


There's not a whole lot that needs to be said about procrastination. It's a bad habit and it needs to be broken. So you, procrastinating reader, can break it with me. Dedicate your time. Say that after x amount of time on one project, assuming you do your normal, day-to-day assignments on time, you can spend y amount of time doing something enjoyable. This is a tried and true writer's block cure, and it works for basic projects and papers as well. Spend a few hours in the library researching or in front of the computer typing knowing that you have an hour or two or guilt free bliss waiting for you and you will find the work comes a lot easier. The same principle applies to hiking (I like hiking). Hike for an hour knowing that you have a ten minute break waiting for you and you'll find that it seems like a lot less effort than wondering when the next break will be. Allot your time as needed.


Another thing to do is write notes. Post-It notes. Lots and lots of them. If you put off papers, you probably put off other things. So what I do, usually, is write a Post-It note that says something informative, like "Massive paper. You should probably be writing that and not playing Super Nintendo." (I know myself pretty well) or something inspiring like "You will fail college and live in a box if you do not write something. You will be a disappointment to you family. Open Word and type or no one will ever love you." They help a lot more than you would think. I put these notes on my computer monitor so I see them every day and when I become disenchanted by them I take it down and re-write it so that I know that I WILL fail and I WILL be a loser if I don't get those papers written.


You know, I think I'm going to go write those papers now. You probably have something you should being too. Just saying.

Thursday, April 17, 2008

Imagination or Reality? The First Paper

There are at least 300 students out there directly and personally interested in this blog entry… and likely a multitude of others that indirectly can learn from it. The 300 are in my spring quarter SOC200 Social Life writing intensive courses. Members of the multitude might include you, someone not in my classes (but who might have journalistic interest or general inquisitiveness).

For nearly 2 decades I have taught introductory sociology courses at a variety of schools (business colleges, 4-year colleges, and universities). And, no, I am not burned out on sociology. I am still convinced that it is not only interesting but can be very practical. The stuff covered is stuff seen in daily life, in personal lives. My version of Introductory Sociology is intended NOT to be one of those courses that gets shelved and forgotten once the term is over and the credit is earned. Social life surrounds and infuses us. We are not its hapless witnesses or passive bystanders, we are the actors living it 24/7 (remember Goffman’s dramaturgy and Meade’s game stage).

Within the next 10 days, students will be crafting their first (of two) writing assignment for my SOC200 – Social Life gen-ed course. I heartily appreciate the fact that nearly all of those students are NOT sociology majors. But, it is my duty to impart an appreciation for the method and content of that “systematic study of human social patterned behavior.” My goal is to get students to (at least for one academic quarter) wrap their heads around practical aspects that present themselves in their own lives in a sociological vein.

The first writing project this quarter involves definitions, examples, clarifications, MLA format, citations, and the 2000 US Census. At first blush, it might seem like a laundry list of sociological “stuff.” However, there are non-sadistic reasons for this project.

Delving into the definition of sociology frames the subject matter: human social behavior. Applying C. Wright Mills’ “sociological imagination” completes the picture: appreciation of the intersection/connection between individuals (biography) and their social contexts (societal structures and processes). This is the first chunk of the paper.

The next part forces students to split hairs and fine-tune a discussion of the differences between personal and social aspects of issues and problems. Using terms like “locus of control” and “personal efficacy” help the student to relegate behaviors to the personal realm or to elevate circumstances to social conditions.

That completes almost half of the total paper. With the basics groundwork covered, the student now shifts to a specific social issue or problem of her/his choice. To underscore how widespread it or its effects are, statistics are pulled from the Statistical Abstract of the United States. No, that is not busy work. It gets the student into census data and practice reading and interpreting tables and charts of demographic information.

With the selected social issue or problem in mind, the student then chooses one of the 4 sociological theories we discussed the first week of class (functionalism, social-conflict, feminist perspective, and SI) to come up with causes (independent, X variables) and consequences (dependent, Y variables). Students must explain and defend their choice of theory. The correct choice derives from the students explanation of its “fit” to the selected issue or problem. The paper concludes with lessons learned by doing this project.

When Pegah (the Teaching Assistant) or I evaluate these papers, we use a grading rubric that includes not only content, but mechanics, proper use of MLA format, readability, writing style, and clarity. A copy of the grading rubric is posted in the Course Studio.

I hope this further explains and clarifies not only the requirements for the paper, but also the practical reasons for it. One final reminder: Pegah and I will look over drafts to ensure that students are on target. But, please, bring a hardcopy to class or office hours for us to see and discuss the paper. Trying to discuss via email or fax is not effective.

Good luck. And please respond here or by email to let me know if this blog was helpful to you. Thank you for your time.

Wednesday, March 5, 2008

Flow When You Show

“Bob was a builder. He was about 3’6” tall and weighed 68.37 pounds. He had brown hair but he always wore a yellow construction helmet. He had beady black eyes and a thin smile. He always wore a tool belt and blue overalls. He also always wore a plaid shirt.”


How’s that for a description? It has some pretty good details, right? Ok, I’ll admit it. That was a baited question. When asked to give more description in a paper, this is what most students will do. While the details are great, descriptions like this present a few problems:

  • They usually overuse pronouns
  • They break up action in a paper
  • They sound like they are meeting a requirement

Let’s look at pronoun use in our example. Every sentence, besides the first one, starts with the pronoun “he.” Repeatedly using pronouns, or anything else for that matter, in a paragraph makes for a very choppy read. It makes it difficult for the reader to get into a rhythm. This monotony is one reason why the previously described style of writing is not the best.


Another thing that these descriptions do is that they break up action. For example, all the information in the sample description is good information. However, it comes all at once. Besides being choppy on its own, it hinders the flow of the paper. Assuming that the rest of a paper flows, a chunk of choppy, descriptive text can trash the paper.


A requirement list is like a list of ingredients, giving the essentials of what is needed to complete a paper (or recipe). Let’s say that the given paper requires a description. This is one ingredient. Imagine that someone took all the ingredients for a cake, individually baked them, and then mixed them all together. That would make for a disgusting cake. Just like a cake is more than just a random mixture of ingredients, a paper is more that just a compilation of required elements. A chunk of description in a paper is like a chunk of salt in a cake.


So what is a better way? Keeping with the cake analogy, mix up the ingredients before you bake them. Spread your descriptions throughout the paper, mixing them with action. Tell how Bob pushed his yellow helmet back as he wiped the sweat from his plastic brow. Tell how his plaid shirt ripped on a nail while he was reaching for a tool on his belt.


Description is to show, but when you show, make it flow.

whacked assignment… or opportunity to excel

“He just dreams up writing nightmares,” is a comment that I honestly hope students in my classes never utter.

When drafting and developing a writing assignment for students in my gen-ed and honors classes, I take a step back and ask myself 2 questions: (a) Would I want to do this if I were one of my students? And (b) Does the assignment relate practically to student realities and course content?

As an undergrad and a graduate student, my best writing involved assignments that were engaging (some topic I could wrap my head around) and related to my major/specialty areas (social sciences in general and sociology in particular). Sadly, some of those assignments were little more than busy work and seemingly poorly conceived. Those indeed required creative writing! I promised myself that if ever in the position of directing or facilitating student writing, the effort and product would be worth not only the student’s time and effort in its production, but also my time and effort to read it -- in short, making it a learning opportunity and experience for both of us: writer and reader!

Okay, so what if you have one of those dreaded whacked writing assignments?

  1. Be certain you got it right. Often, assignments are based on readings, lecture notes, class discussions, or outside materials.
  2. Ask for clarification from the prof. They are getting paid to impart knowledge, not befuddle. Make them earn their money!
  3. If the expectation is still murky, “make it your own.” Draft what you think is asked for. Ask the prof (or teaching assistant, who is the likely grader anyway) to see if you are on track. At the very least, it will show that you not only care about the assignment but are also proactive about your grade. Don’t be afraid to shatter the prof’s notion that you are just another one of those students who attempts to manage only minimal work in the hope of a maximum grade.

These 3 common sense steps (in order of increasing recourse) ought to help take you out of the nebulous cloud of an ambiguous writing assignment and provide the opportunity to polish your writing skill, pull an optimal grade, and impress a prof with your motivation to excel.